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Pitchfork: The very personal character of the songs of Jaime did he give you want to release him The album as a solo project?
Brittany Howard: Yes, and just … everything had to be centered around me: vision, music, arrangements, sounds. Not in a selfish way, but in a way to completely take your power and possess it. It’s strange to be in the center, but I’m used to it.
Do you see your solo career changing things with the Alabama Shakes movement?
I really can not know it. I’m just going where creativity wants to take me. I was trying to write with the shakes, and it did not work. For a whole year, we tried to repeat and meet. Nothing was happening. It was really tortuous, because we are generally very good at it. I thought, Whoa, I have to take a little time from . We all sat down and talked about it for a few hours, then we went out on the other side. It was not bitter or anything like, “I’m going to follow my own way.”
You wrote a part of Jaime in Topanga, California, in the middle of a heat wave. How was your installation there?
I was trying so hard to write things in this beautiful place, and it was not coming. I was working in a fucking greenhouse. It was converted to a bedroom, but no one expected it to be 104 degrees. So I bought a real little air conditioner on Amazon dot com and I had to turn it off every time, because of the sound.
The inspiration strikes the …
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